Posts

Discovery through writing, part 1

When I first began writing seriously (meaning, I took myself seriously and took writing courses and joined writing groups and forums in order to improve my craft), one of the things I learned was that much of the discovery of what your book was about -- the theme-- was rarely apparent in the first draft. Or even in the second. It wasn't until you'd been through a few extensive rewrites that you began to see the theme. I noticed this when I wrote " A BUTLER'S LIFE, " about Chris's experiences as a formally-trained English butler. (Oh boy, don't get him started on the reality of domestic service vs. Downton Abbey !) A Butler's Life is a memoir, not fiction, so I wasn't consciously seeking a theme.  But an unexpected epiphany occurred as we read through the drafts I was editing. A pattern emerged. While Chris had never consciously realized it as it was never a caregiver situation, every one of his major career choices was made in response to his r...

Writing the graphic scenes

"I'd never guessed that little girl-next-door you could write such a book! Did that really happen to you?"  Maybe it's because my background doesn't include law enforcement or medicine, two fields that tend to see too many variations of how pain, suffering and death can be inflicted on other human beings. Maybe even authors like Tess Gerritsen  (a retired physician) or Linda Fairstein (a former prosecutor) get asked how sweet little women like them come up with some of their  more graphic scenes. (I'm positive that male authors never get asked this kind of question.) But probably it's because some of the first buyers of NET STALKER are, bless them, friends and family...who wonder what secret corner of depravity I conceal in order to write a story about a serial snuff killer. Truthfully, even my husband Chris gave me the wide-eyed stare when he read BLOOD EXPOSURE, my first novel. Actually, he got his first inkling of where imagination can take me whe...

NET STALKER is now published!

Image
The goal this winter has been to bring my second suspense novel NET STALKER to publication, which involves not only final editing, but details such as securing permission for the lyrics I've used in the book and acknowledging them correctly. This necessary administrative "stuff" has been balanced by the creative endeavor of working with a graphic designer to get the cover just right. I'm really pleased with it. As I write, Chris is stretched out on the couch in our vacation rental in Laguna Beach, CA. Always my first reader, he is on the final chapters of the final draft of NET STALKER, which will go live on Kindle very shortly. Chris hasn't read the book since my first draft was finished lo, these many years (!!) ago, so I am on pins and needles to hear his response. As I've said before, I live sort of a split life: Nine months of the year all my attention and creativity is focused on A Butler's Manor, our bed and breakfast, on welcoming and enjoyi...

Getting back to work, and a preview of NET STALKER

Image
Writers know well that there is what we do for love, and what we do for money, and the most frequent piece of advice to any writer is not to quit her day job (that is, until the sales of the first of your series about a boy wizard reach the stratosphere). I am blessed to be able to say that what I do for money is also a labor of love, for together with my husband Christopher, I own and run a bed and breakfast called A Butler's Manor . It does, however, absorb every fiber of my being during the summer months. While we're still busy either side of the summer high season, with the advent of fall, I can begin mentally to get back to the computer to pen stories, rather than reservations. Up on the third floor of the bed and breakfast, I have a secret space that I call my aerie...my writing office, tucked under the eaves. Between the workload of high season and the fact that it's located above one of our most popular guest rooms and accessed by way of a pull-down stair...

Publish or perish?

Many bestselling authors, especially in the mystery and romance genres, seem to publish a new book about once a year, often timed to come out late in the year (for Christmas and holiday sales) or late spring (to read on vacation). Recently, there was an article in the New York Times about how many authors are under increasing pressure from their publishers to write not one, but two (or more!) books a year. Why the increased pressure? Say the publishers, audiences are increasingly used to the immediate gratification of being able to download an e-book, a movie, a game on demand, and if an author can't keep her name in the public eye, she's likely to be forgotten in the crush of options available to the online world. Uh- huh . My read? Print publishers are increasingly afraid that their relevance is on the brink of extinction. I mean, suppose you just enjoyed a book from a new author (new to you, anyway), and then found out that omigod, she doesn't have a backl...

A certain kind of mother

Today is Mother's Day. This isn't my holiday, as my only children are comprised of words, rather than genes, and my own mother "changed addresses" long ago...in fact, I realized with a distant shock today that she has been gone more than half my life. But where these two intersect was a critical turning point for me. My mother died of cancer at 51-- the precise age I am today. Though she was far from demonstrative, we were very close. She was diagnosed in late October four years after I graduated college.  Anyone who has lost someone to cancer knows the pain of witnessing the slow death that you can't stop, or often, even ease. I cried so much through the term of her short prognosis that when she passed away, I thought I had no more tears to shed. While I missed her dreadfully, mimicking her pragmatism, I boxed up my pain. I went back to work the day after her funeral and threw myself into practical matters like my then-career in advertising and...

Setting

A couple months ago, I attended a breakfast book event that featured author Elizabeth George, one of my favorite mystery writers. In the Q&A session that followed, someone asked Ms. George where she got her ideas. Elizabeth George writes a series in what the British would call crime fiction, and I'd have guessed her ideas mainly come from police blotters or the nightly news. Her answer surprised me: She gets the ideas. she said, from her settings. She visits the UK looking for a great setting and imagines what might happen there. Starting a book from the setting -- I wonder how usual that is. Does it depend on the genre? Certainly, setting is critical in sci-fi and fantasy, where worlds are created wholecloth...think of Narnia, Middle Earth, or Hogwarts. Stephen King said that his horror book The Shining was conceived after spending a night as the only guests in the grand old Stanley Hotel  in Estes Park, CO  the last nigh...