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Showing posts from 2012

Getting back to work, and a preview of NET STALKER

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Writers know well that there is what we do for love, and what we do for money, and the most frequent piece of advice to any writer is not to quit her day job (that is, until the sales of the first of your series about a boy wizard reach the stratosphere). I am blessed to be able to say that what I do for money is also a labor of love, for together with my husband Christopher, I own and run a bed and breakfast called A Butler's Manor . It does, however, absorb every fiber of my being during the summer months. While we're still busy either side of the summer high season, with the advent of fall, I can begin mentally to get back to the computer to pen stories, rather than reservations. Up on the third floor of the bed and breakfast, I have a secret space that I call my aerie...my writing office, tucked under the eaves. Between the workload of high season and the fact that it's located above one of our most popular guest rooms and accessed by way of a pull-down staircase in

Publish or perish?

Many bestselling authors, especially in the mystery and romance genres, seem to publish a new book about once a year, often timed to come out late in the year (for Christmas and holiday sales) or late spring (to read on vacation). Recently, there was an article in the New York Times about how many authors are under increasing pressure from their publishers to write not one, but two (or more!) books a year. Why the increased pressure? Say the publishers, audiences are increasingly used to the immediate gratification of being able to download an e-book, a movie, a game on demand, and if an author can't keep her name in the public eye, she's likely to be forgotten in the crush of options available to the online world. Uh- huh . My read? Print publishers are increasingly afraid that their relevance is on the brink of extinction. I mean, suppose you just enjoyed a book from a new author (new to you, anyway), and then found out that omigod, she doesn't have a backlist of anoth

A certain kind of mother

Today is Mother's Day. This isn't my holiday, as my only children are comprised of words, rather than genes, and my own mother "changed addresses" long ago...in fact, I realized with a distant shock today that she has been gone more than half my life. But where these two intersect was a critical turning point for me. My mother died of cancer at 51-- the precise age I am today. Though she was far from demonstrative, we were very close. She was diagnosed in late October four years after I graduated college.  Anyone who has lost someone to cancer knows the pain of witnessing the slow death that you can't stop, or often, even ease. I cried so much through the term of her short prognosis that when she passed away, I thought I had no more tears to shed. While I missed her dreadfully, mimicking her pragmatism, I boxed up my pain. I went back to work the day after her funeral and threw myself into practical matters like my then-career in advertising and marketing.I told

Setting

A couple months ago, I attended a breakfast book event that featured author Elizabeth George, one of my favorite mystery writers. In the Q&A session that followed, someone asked Ms. George where she got her ideas. Elizabeth George writes a series in what the British would call crime fiction, and I'd have guessed her ideas mainly come from police blotters or the nightly news. Her answer surprised me: She gets the ideas. she said, from her settings. She visits the UK looking for a great setting and imagines what might happen there. Starting a book from the setting -- I wonder how usual that is. Does it depend on the genre? Certainly, setting is critical in sci-fi and fantasy, where worlds are created wholecloth...think of Narnia, Middle Earth, or Hogwarts. Stephen King said that his horror book The Shining was conceived after spending a night as the only guests in the grand old Stanley Hotel  in Estes Park, CO  the last night before it was to be closed for the winter. And c

A paradigm shift

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It feels like changing religions. As someone who even as a girl loved the feel of a hardcover book in my hand and who has a large collection of cherished favorites (including the first 50 Nancy Drew books, all of the same vintage in which I first read them!), I hereby admit to a paradigm shift in my publishing beliefs: I have come to believe that the future of most contemporary bookselling lies in e-books . And in accepting--and even embracing--the trend, I've just released my first novel, BLOOD EXPOSURE, on Kindle, following the November release of A BUTLER'S LIFE ( also on Kindle). This is exciting as well as bittersweet. Like almost all of my fellow book lovers and authors, I've been saddened to watch the closing of more and more independent bookstores in our communities. I want it all: the homey feeling of the small bookstore with the bibliophile staff whose handwritten recommendation cards are stuck into the crowded stacks; the vastness of the large chain store wi